Above is the commentary which I have made as a brief run through of the decisions I made for the music video and reasons why.
Above is the commentary which I have made as a brief run through of the decisions I made for the music video and reasons why.
Above is a completed version of what the back cover will look like. On the back I have included a barcode, details of issued license and copyright for Hi- Fidelity Records. I have done this not only because it ould appear on real CD's as it is done to keep the album protected from being copied as it has been copyrighted but I have also done this as it will promote the label 'Hi- Fidelity Records' as the audience that purchase the album might look at what label it has been released on. I have also done this as a promoting tool because I have included the website for the record lable.
I chose to stick with the forms and conventions used in this music genre for the album back cover because I have included a massive picture of the band on the back because this will attract the audiences as the band will or should be recognizable to them. I have also done this because once again they are the main focus and they appear to be having fun in the picture so the audience could have previously just seen the serious side of them performing but now understand what they are like so they have been represented to the audience in a positive light.
The song listing appears on the right hand side and features the song 'Hate' which I created a music video for. The listing appears on the right hand side of the cover as it is parallel to the picture and it is bold and stands out to the audeince aswell as the picture because it is extremely important for the audience to see the content of the band and what they are releasing on that particular CD.
I have kept the colour scheme the same for example the colour of the text and also the background colour as the colours used are the typical forms and conventions that are frequently used in the rock genre. I have used it to show consistany also.
The bands (Stage Exits) logo will be the main characteristic and focus of the cover. This way consumers will always recognize this and will be used and familiar with it. This can prehaps be seen that the audience will stay confertable if the band doesnt constantly change their logos or branding so it easier for fans to show support or consideration for the artists and they can still be appreciated becasue the band has not changed since the latest releases.
Stage Exits logo.
Back of CD cover
picture of band on the back with song titles over the top of the picture
Barcode and numbers, record company and also copyright.
Song listings either on the top, far rightor centered. In the same font used throughout the cover to show consitancy.
Front of CD continued...
The title of the band will be placed at the top of the CD. The name 'Stage Exit' text will be a bigger size and in bold as this will then be the first thing which the audience will see at fist glance aswell as the logo. This will be agian using the usual forms and conventions as this is used on many CD's for example:
Nickelback is used rather than the actual name for the actual album such as 'Curb'.
White, Black, Yellow and Red are the usual colours of the text used on album covers, I will therefore be using red as this will stick to the typical forms and conventions but will also be used as this is one of the colours used by the group as representation to their audiences and instituitions.
Measurements for the CD cover is 12cm x 12cm.
After randomly choosing each artist and the artwork used for their CD covers, I began to take notes and look at the details, forms and conventions generally used.
General Forms and Conventions
I found that usually dark colours are used such as Greys, Blacks, White, Reds and Dark Blues rather then bright or upbeat colours such as Yellow, Orange or green. This can be used in my own cover as it would attract the right audience using the colours as representations for my product.
Most covers also use religion. For example, Crosses, Angels and Doves are frequently used in the artwork in the image. These are also used as things that are usually seen as peaceful or gentle are twisted into a different picture or meaning. For example, on the Guns N Roses cover roses are shown around a gun so taking something that is peaceful and loving and interwinding them around a gun which represents violence and anger.
This form and convention is also used on other CD covers by showing tombstones, graveyards and an album cover by KoRn shows a little girl on a swing however, the top of her head and shadow and her shadow connects with the title "KoRn" and looks as if the small girl is being hung.
Death is also represented on album covers in the genre as tombstones, grave yards and skulls are included in the art work.
Violence is another form of representation used to target the specific target audience by including images of guns lying on the floor, images of combat soldiers, bombs and also sleign people on a pavement.
Feelings are also presented on the front covers of albums by using images of tears which have been made into silver, just an eye is seen, aswell as a modern age portrayel of feelings such as a couple embracing eachother.
After looking at the overall artwork and its characteristics for CD cover albums, I looked at that each CD uses.
Album titles of bands e.g. Nirvana, Nickelback and Metallica usually keep the same style and font of writing like a branding and trademark of the band so consumers and their audiences which they attract and provide music for recogize the band and the branding on each CD which they release.
Art work on covers usually consist of the layout format of having art as the front cover and displaying the band on the back of the cover. This occurs on albums for Red Hot Chillie Peppers and Nickelback. However, Bowling for Soup feature a picture of the band on the front cover rather then just the back. This can be used on my own cover as twisting the usual forms and conventions.
Although all these have existed in the 1980's they did not reach the hight of their popularity until the 1990's.
In the 1980's, rock artists recorded on Independent record labels and used college radio and word of mouth to promote themselves. Within recent times, up and coming bands have been able to use peer-peer sites to share their music, such as YouTube, MySpace and Twitter to gain recognition in the underground scene in the UK and across the world. I will be therefore be posting my completed version of Stage Exits music video on YouTube to promote the video with their specific target audiences.
Alternative rock has been recognised as rejection to the commercialism of mainstream culture.
Many bands during the 1980's played in small clubs. For example The Beetles used to play in their basement and performed to crowds. I have taken this into consideration whilst planning and shooting my music video as I have stuck to the forms and conventions of rock videos being shot in empty places but the space in which I filmed was in a small area, therefore this will be considered acceptable by the Audiences and Institutions for the video.
The lyrics from rock songs tend to address social concern like drug use and depression. By using these lyrics they will be able to connect with an audience which are also using drugs or depressed. Although in the song which I have produced a video for do not address these concerns I shall consider using the social issue in other media areas such as the CD artwork on the cover or the website.
Many trends have tooken place with the Alternative Rock Genre. Below are just some of the most popular that I will address:
Gothic Rock - late 1970's/ early 80's was post-punk. The representation of the sub genre was that of a dark and gloomy underground from of rock. Lyrics often addressed:
As the band I filmed had a punk feeling to it I decided that I would concentrate on said genre to see what I could include in the video.
I firstly, found that within the Punk Rock genre which was popular in the 70's, punk rockers produced there own recordings of songs. I felt this was a great form and convention when making my music video as I filmed with hand held camera it would never get a well polished look like with cameras used to film bands in the mainstream because this would fit in great with the genre as this would be able to target the audience.
Youthfull rebellion and outrages styles of clothing was connected to the Punk Rockers. I have chosen to use these audience and Institutions in the range of media I am using by portaying these images such as fashion and rebellion in the artwork for the album cover and music video to attract the audience who would purchase the bands CD.
After finding these forms and conventions I started to think and put these ideas together that would match the song and also would fit in with the forms and conventions of the genre.
I then looked up popular bands within the alternative rock/ punk rock genre.
Nirvana - Smells Like Teen Spirit
http://www.youtube.com/watch?v=dXO3OMGKPpw
In this video the director (Samuel Bayer) decided to have the main focus on the bands performance, especially Kurt Kobain. This also proves that the form and convention of having shots of a performance by the band is very important to include in the video which I will be making as that is how the video targets and captures their audience as the audience is wanting to watch basicallywhat they do best.
The video has a dark and grungey feel as a smoke machine seems to have been used whilst filming to create such atmosphere, as this makes the video feel that it is not polished. This therefore, uses the forms and conventions used by the early punks as they went through the Li-fo period which seems to have been applied to the video.
The music video also shows a sense of rebellion and connects and ties in with the song as the video is set in a schools gym with a huge crowd of students which cheerleaders, as well as the band, are performing to. This has the rebellion convention as this would not occur in a school gym normally and shows the rush and excitement.
All the directors listed above were known for their unique style.
Michael Gondry
He is a French music video director and has also directed films and commercials. He has been a director from 1988- present day. He is well known for his visual style and use of Mise-en-scene. Below is a music video Hyperballad which he made for Bjork.
Williams style which is icluded in some videos but not all, is shots placed in regular widescreen frame whilst spaces which are usually left blank are filled of other shots.
He has won numerous awards for his work. These include:
MTV Music Award in the Best Rap video for Will Smiths Getting Jiggy With It in 1998.
In this period, directors and artists began to explore and expand the form and style of their videos. They added a storyline, a plot or mixed film.
The most successful videos of this era was Michael Jacksons, Thriller. It set a new standard for productions. It cost $500,000 to film.
VH-1 (now known as VH1) was launched in 1985. MTV Europe was launched in 1987 and MTV Asia in 1991.
In 1986, Peter Gabriel's song Sledgehammer used special effects and animation. The video went on to be a success and win 9 MTV Video Music Awards.
Hip Hop music was brought to focus in 1988 when Yo! MTV Raps debuted.
Some music videos have chosen to blend different styles such as using both animation and live action filming.
1910-50's
Lee De Forest made musical short films between 1923 and 24. This was followed by thousands of vita phone (a short film process used on features) from 1926-30. Nearly 2,000 were produced by Warner Bros. Many featured bands, vocalists and dancers.
Oskar Fischinger produced animated films (also known as visual music) in the 1920's. They were supplied with ochestral scores. Some were also made and used to advertise Electra Records' new releases.
In 1929, the Russian Dziga Vertov made a 40 minute, Man with the Movie Camera. It was an experiment on filming real, actual events.
Sergei Einstein's 1938 film Alexandra Nevsky, used extended scenes of battle chorography that had been composed before shooting began, so that the scene could be edited in accordance with the music.
Max Fleischer was an animation artist who introduced a series of sing a long cartoons which invited audiences to sing along following a "bouncing ball". The Warner Bros. cartoons Loony Tunes and Merrie melodies were initially for upcoming Warner Bros. Musical films.
In the mid 1940's musician, Louis Jordan made short films for his songs. According to music historian, Donald Clarke, these were known as "the ancestors of music videos".
Promotional clips were made in the 1940's for the Panoram visual jukebox. They were usually just a band on a movie-set bandstand. Thousands of soundries were made, mostly by Jazz musicians. Even some movies had musical intervals. Jukeboxes were popular at pubs and nightspots.
Some music videos have imitated the style of classic Hollywood musicals from the 1930's-50's. One of the best known examples in Madonna's 1985 video Material Girl.